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- <text id=94TT1470>
- <title>
- Oct. 24, 1994: Press:And Then There Was One
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Oct. 24, 1994 Boom for Whom?
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/PRESS, Page 85
- And Then There Was One
- </hdr>
- <body>
- <p> After two decades on PBS, Robert MacNeil decides to leave the
- respected but troubled NewsHour
- </p>
- <p>By Howard Chua-Eoan--Reported by Hannah Bloch/New York
- </p>
- <p> The quadrisyllable has Joycean overtones: macneilehrer--a
- run-on conjuring up two-headed television journalism, emanating
- from Washington and New York, dispassionate, in-depth and, in
- the words of one contributor, "gloriously boring." The word,
- however, now has an expiration date: in a year PBS's influential,
- much honored MacNeil/Lehrer NewsHour will no longer be the same.
- Robert MacNeil, who co-anchors the show from New York City,
- announced last week that he will retire in October 1995, the
- show's 20th anniversary, leaving Washington-based Jim Lehrer
- as the sole anchor. MacNeil characterized his decision as "convenient,"
- which was typical of his cool honesty, unhurried by controversy,
- unharried by the press of events.
- </p>
- <p> "He told me, half jokingly, he was tired of seeing his face
- on television," says Roger Rosenblatt, a NewsHour essayist and
- editor of the Columbia Journalism Review. At a meeting with
- NewsHour staff members last week, MacNeil explained frankly
- that besides his personal desire to leave daily journalism,
- financial factors played an important role in his thinking.
- Though the show, now seen on more than 300 stations, has increased
- its audience 40% in the past nine years, it has seen its budget
- fall from $26 million to under $25 million this year, and its
- corporate funding from $13 million to $11 million. The show
- was also losing its New York studio and would have needed to
- make an expensive move to a new one.
- </p>
- <p> MacNeil's departure will save the show the additional studio
- costs--and other expenses. His salary, probably the largest
- in the budget, should be a substantial savings. The retirement
- will also allow the NewsHour to consolidate staff in one location:
- Washington. "He might not have made his decision as soon if
- the show was not put in such a bind," says Rosenblatt. WNET,
- the PBS affiliate that produces the program, "put pressure on
- the one prize show they had." MacNeil has denied that he is
- sacrificing himself to ease the show's financial strains, but
- he does say, "We needed for the good of everybody to make the
- decision."
- </p>
- <p> MacNeil was quick to argue that there were journalistic advantages
- to the move: "Washington is not only the news center of the
- world, but in the nature of our program, which takes public
- policy and the democratic process seriously, Washington has
- increasingly become the NewsHour's center of gravity anyway."
- He and his colleagues deny that the show will become a prisoner
- of the Beltway. Says Al Vecchione, president of MacNeil/Lehrer
- Productions: "A year from now, audiences will see the same program
- they've always seen."
- </p>
- <p> That program--a sober recitation of news highlights, followed
- by lengthy segments analyzing two or three major issues, all
- done leisurely, without flashy graphics or momentous music--has become an ever more valued alternative to network news.
- Says MacNeil: "The competition driving the networks now--CNN,
- Court TV, tabloid television, entertainment television and magazine
- shows--the standards they use have gradually infected what
- used to be the strict, dignified standards of network news.
- Now those news shows--they're like circus barkers who have
- to exaggerate and hype to haul them into the tent."
- </p>
- <p> MacNeil, who turns 64 next year, hopes to finish work on his
- second novel, The Voyage (his first was 1992's steamy Burden
- of Desire), and plan a possible PBS series on the information
- superhighway. In the past 10 years he has diversified his public
- personas, including playing host on the PBS documentary series
- The Story of English and assuming the leadership of the MacDowell
- Colony, an artist's sanctuary in Peterborough, New Hampshire.
- </p>
- <p> Born in Canada, MacNeil was an aspiring actor and playwright
- before joining Reuters in London in 1955. From 1960 on, he was
- a TV journalist, notably on foreign assignments for NBC. By
- 1971 he was in public television, where he and Lehrer co-anchored
- the network's coverage of the Watergate hearings. He started
- the Robert MacNeil Report in 1975, which evolved into the 30-minute
- MacNeil/Lehrer Report in 1976 and, by 1983, became the full-fledged
- MacNeil/Lehrer NewsHour.
- </p>
- <p> "The most important thing for us was that Robin and I were free
- to make our own rules," wrote Lehrer in his book A Bus of My
- Own. "We would not beat up on our guests or embarrass them."
- The two anchors forged a complementary partnership--MacNeil
- with his clipped, analytical style, Lehrer with his folksy Texas
- drawl--but there are important differences. Says longtime
- NewsHour correspondent Charlayne Hunter-Gault: Lehrer is like
- a "Marine drill sergeant"; MacNeil is like a "symphony conductor."
- </p>
- <p> After 19 years, Lehrer is slightly leery of going solo: "There's
- always been one of us to protect the other one from dumb ideas."
- While there may be wisdom in this Solomonic separation, in TV
- news one less face to trust is an enormous loss.
- </p>
- </body>
- </article>
- </text>
-
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